🜁 METAPHYSICS 🜁
Alongside my work as an actor and voice coach, I’m a metaphysician, educator, and researcher with a formal academic background in consciousness studies.
I hold a Master of Metaphysical Sciences and study how perception, belief, embodiment, and inner state shape expression.
Particularly voice, presence, and performance. This work informs how I listen, teach, and how I approach both acting and coaching.
I don’t approach metaphysics as belief or doctrine. I approach it as inquiry.
Metaphysics, Consciousness
& the Human Voice
Where This Meets Acting & Coaching
My research focuses on the relationship between consciousness and expression, and how thought patterns, nervous-system responses, and belief structures shape the way we speak, move, and show up.
This lens has deepened my work with actors, voice artists, and professionals, especially in moments that require clarity, regulation, and presence under pressure.
Rather than separating “technical” and “inner” work, I see them as intertwined. Voice is never just sound. It carries identity, protection, desire, history, and meaning, whether we’re aware of it or not.
Teaching & Research
Alongside my work in acting and voice, I teach and collaborate within research-oriented environments, including PPRI (Paranormal Phenomena Research & Investigation). A long-standing, not-for-profit organization dedicated to the structured study of parapsychology, consciousness, and anomalous human experience.
Founded in 1997, PPRI brings together subject-matter experts from diverse academic and professional backgrounds to investigate phenomena related to perception, mind-matter interaction, and human consciousness. The organization emphasizes education, ethical inquiry, and both qualitative and quantitative research methods.
My role within PPRI is educational and investigative. I contribute through teaching, research, and interdisciplinary dialogue, exploring how consciousness, belief, and nervous-system states shape perception, communication, and expression. This work sits at the intersection of psychology, performance, neuroscience, and consciousness studies.
I approach this research with discernment and responsibility. Curiosity is always paired with ethical standards, critical thinking, and respect for individual experience.
Consciousness and perception
Voice as a carrier of belief and identity
Embodiment and nervous-system regulation
Intuition and symbolic cognition
Anomalous and transpersonal experience
These areas inform my teaching, research, and applied practice. They're not as a separate identity, but as a lens through which I understand performance, communication, and human behavior.
Areas of Focus
Why This Work Matters
Studying consciousness deepens how we understand presence, communication, and human behavior, onstage and off. It sharpens listening. It builds self-regulation. It gives language to experiences that are often felt but difficult to articulate.
This research doesn’t exist apart from my creative work. It informs how I teach actors, how I coach voices under pressure, and how I understand performance as a state of awareness, not just a skill.