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METAPHYSICS
& CONSCIOUSNESS STUDIES
Voice, perception, presence, and human experience.
Alongside my work in acting and voice, I study consciousness, perception, embodiment, and the relationship between inner experience and expression.
I hold a Master of Metaphysical Sciences and approach this work through inquiry, observation, research, and interdisciplinary exploration.
Metaphysics, Consciousness
& the Human Voice
My areas of interest include:
consciousness studies
symbolism & perception
nervous-system regulation
voice & identity
embodiment
intuition
altered states
and the psychology of human expression
A recent exploration into consciousness, dreaming, and the unseen aspects of awareness
at PPRI (Paranormal Phenomena Research & Investigation).
Where science and metaphysics meet. You can experience the full session here.
Latest Offering & News
A recent article by my friend and colleague explores a question many people quietly ask themselves: Should I Start a Dream Journal?
In it, he shares the beginnings of his own journey into lucid dreaming, astral travel, and the deeper meaning behind vivid dream experiences.
He also kindly mentions that attending my webinar, Astral Travel, Lucid Dreams, and Dimensional Portals, hosted through the Paranormal Phenomena Research & Investigation (PPRI) platform, inspired him to look more closely at the significance of his memorable dreams and begin documenting them.
It’s always meaningful to see spiritual conversations spark personal exploration and deeper self-awareness. If you’d like to read more about his reflections and journey, you can explore his full article below here.
Where This Meets Acting & Coaching
My research focuses on the relationship between consciousness and expression, and how thought patterns, nervous-system responses, and belief structures shape the way we speak, move, and show up.
This lens has deepened my work with actors, voice artists, and professionals, especially in moments that require clarity, regulation, and presence under pressure.
Rather than separating “technical” and “inner” work, I see them as intertwined. Voice is never just sound. It carries identity, protection, desire, history, and meaning, whether we’re aware of it or not.
Teaching & Research
Alongside my work in acting and voice, I teach and collaborate within research-oriented environments, including PPRI (Paranormal Phenomena Research & Investigation). A long-standing, not-for-profit organization dedicated to the structured study of parapsychology, consciousness, and anomalous human experience.
Founded in 1997, PPRI brings together subject-matter experts from diverse academic and professional backgrounds to investigate phenomena related to perception, mind-matter interaction, and human consciousness. The organization emphasizes education, ethical inquiry, and both qualitative and quantitative research methods.
My role within PPRI is educational and investigative. I contribute through teaching, research, and interdisciplinary dialogue, exploring how consciousness, belief, and nervous-system states shape perception, communication, and expression. This work sits at the intersection of psychology, performance, neuroscience, and consciousness studies.
I approach this research with discernment and responsibility. Curiosity is always paired with ethical standards, critical thinking, and respect for individual experience.
Consciousness and perception
Voice as a carrier of belief and identity
Embodiment and nervous-system regulation
Intuition and symbolic cognition
Anomalous and transpersonal experience
These areas inform my teaching, research, and applied practice. They're not as a separate identity, but as a lens through which I understand performance, communication, and human behavior.
Areas of Focus
Why This Work Matters
Studying consciousness has deepened the way I understand presence, communication, creativity, and human behavior, both onstage and in everyday life.
It sharpens listening. Expands emotional awareness. Strengthens self-regulation. And invites a more honest relationship with expression.
For me, this work is ultimately about attention:
how we perceive,
how we embody experience,
and how we connect to ourselves, to others, and to the stories we tell.
It informs not only how I teach and coach, but how I approach performance itself, not as performance alone, but as presence, imagination, and deeply human connection.
